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- Samick piano midi floppy disc serial#
- Samick piano midi floppy disc full#
- Samick piano midi floppy disc series#
"swing" or "bebop") solo, the program's descriptive techniques reflect computational elements common to a range of tonal music. While the improvisation is intended to resemble a jazz (eg. Given an initial melody and harmonic outline, the program produces a single voice of improvisation. >This thesis describes a program which embodies several computational aspects of music improvisation and composition. >A Melody Description System for Jazz Improvisation
Samick piano midi floppy disc serial#
My friend and serial colleague David Levitt wrote his PhD thesis about applying AI to Jazz improvisation at MIT EECS in 1981, titled "A Melody Description System for Jazz Improvisation". For instance to make a chord that uses more than the normal number of fingers or that would require extreme contortions or more than two hands. What you can do and what would be impossible with just one pianist and just your fingers is to strike key combinations that would be otherwise impossible. You can't 'freeze' the hammer at the top of that arc, it will just fall back down until it gets caught by the back-checks. The whole function of the piano action is to give a uniform response to uniform input so the hammer can only describe a particular arc with a speed relative to the force with which the key is struck.
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Strike velocity is not proportional, I will have to add some filtering to ensure that loud passages don't break a hammershank.Īs for the tonal effects, you can't really manipulate a piano hammer like that through the action, and this mechanism still uses the normal action the way it is intended, only it strikes from below the pivot rather than above, so at the back of the key. Positional control of the keys (not the hammers) is possible but the solenoids get very hot. And where you would have said, "Holy shit, that is wild!" to a demo that properly shows off all the work the author put into MIDI-fying a baby ground, you instead say, "Hm, neat." So instead you get an early Debussy piece.
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Samick piano midi floppy disc full#
Unfortunately, copyright is still full of anachronistic concepts. Trimpin made MIDI recordings of the 50+ player piano etudes back in the 90s.Īnd if copyright weren't full of anachronistic concepts, one of them would be the Lenna of MIDI piano demos in the 21st century.
Samick piano midi floppy disc series#
37 is a twelve-voice canon with an esoteric relationship among the voices (based on pitch-interval ratios of a particular scale from a book by Henry Cowell.) It's basically a series of little episodes where he trains the listener to focus on the texture- because what else could you focus on in a twelve-voice canon? Then at the end, he introduces this low, enigmatic ricercare tune that builds into this enormous, sprawling texture of harmonic and melodic surprises, like aliens slowly descending upon Eisenach 300 years too late to find their lost ancestor. All the voices converge roughly in the middle of the piece to create a striking texture unplayable by humans. Imagine taking a Bach fugue and applying a skewX or perhaps a Gaussian blur to it. 36 is a 4 part canon where each part moves in a different tempo, forming a tempo ratio 17:18:19:20. I imagine the demo to be playing a Nancarrow Player Piano Study like no.